The Detroit Opera's production of 'The Central Park Five' is gaining attention as it features a controversial portrayal of Donald Trump, whose 1989 ads demonized the wrongly accused young men. As Trump has returned to office and taken a more aggressive stance against cultural institutions, the opera's opening brings both anticipation and concern about potential backlash. Despite fears, the Detroit Opera is steadfast in its commitment, supported by board members and donors, to present this important narrative. The production, partially funded by a federal grant awarded before Trump canceled many such funds, reflects broader issues of race and justice in America. The opera seeks to challenge societal narratives and the erasure of history, emphasizing the importance of artistic expression in the face of political pressure.

The opera 'The Central Park Five', composed by Anthony Davis, depicts the wrongful conviction and later exoneration of Black and Latino boys, incorporating inflammatory rhetoric used by Donald Trump in 1989.

Detroit Opera is aware of the potential repercussions of staging the opera with Trump's character, particularly given Trump's current political power and his administration's direct actions against cultural organizations.

Despite the risks, the opera, partly funded by a federal grant from the National Endowment for the Arts, is moving forward with additional security measures and support systems for the cast and crew.

The production highlights themes of racism, false convictions, and the importance of remembering historical injustices, as expressed by composer Anthony Davis and members of the opera's team.

The Exonerated Five, previously known as the Central Park Five, have been vocal against Trump's actions and statements, reinforcing the opera's relevance and urgency in today's political climate.

The opera was scheduled well in advance of Trump's political resurgence, yet the artistic director and board members remain committed to presenting the work, emphasizing the need for cultural representation and dialogue.

Director Nataki Garrett and others involved in the opera stress the importance of telling stories that reflect societal truths, despite the personal and professional risks involved in confronting current political power dynamics.