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Designers Do a Double Take at the Lettering on Pope Francis’ Tombstone

The New York Times's profile
The New York Times
5h ago

The tombstone of Pope Francis has stirred discussions due to its irregularly spaced lettering, which reads as 'F R A NCISC VS' instead of the intended 'Franciscus'. The use of Times Roman font was meant to reflect the late Pope's preference for simplicity, yet the lack of kerning has drawn criticism. Typography experts note the engraving was likely done mathematically rather than visually, resulting in a dissonant appearance. Historical challenges in achieving harmonious letter spacing on stone markers are highlighted, as well as the aesthetic shortcomings when using digital templates for engraving. Despite the focus on design, some commentators emphasize the greater significance of the Pope's life and legacy over typographical details.

Designers Do a Double Take at the Lettering on Pope Francis’ Tombstone

The lettering on Pope Francis' tombstone has become a subject of debate due to its irregular spacing, making it read as 'F R A NCISC VS' instead of 'Franciscus', the Latin name intended to honor the late Pope.

The choice of Times Roman font was deliberate to reflect Pope Francis' desire for a simple and unadorned final resting place, aligning with his personal style and ethos.

Experts in typography criticize the lack of kerning, which is the spacing adjustment between character pairs, suggesting that the engraving process was done using mathematical spacing rather than visual aesthetics.

Historically, attempts to mathematically engrave letters on tombstones have often failed to achieve visually harmonious results, highlighting the need for manual adjustments in typographic design.

Some observers, including typographers and designers, express disappointment at the spacing issues, comparing it to using outdated software and a bootlegged font version without proper kerning data.

The commentary underscores that despite the typographic flaws, the lasting impact of Pope Francis' life and legacy should hold more significance than the presentation of text on his tombstone.

The article reflects on the broader implications of design choices, illustrating how typography can unexpectedly influence perceptions of significant cultural and historical figures.

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