Context:

A 4,000-year-old handprint has been discovered on a clay model, known as a 'soul house', used for offerings in an Ancient Egyptian tomb, by researchers at the Fitzwilliam Museum in Cambridge. The soul house dates back to 2055–1650 BCE and was made by constructing a wooden framework, coating it with clay, and firing it, which burned away the wood. The handprint was likely formed when the potter moved the damp clay model before it was fired, and its discovery provides a rare glimpse into the life of ancient artisans. Helen Strudwick, senior Egyptologist, notes the significance of finding such a complete handprint, as it connects us directly to the moment of creation and the individual who crafted it. This artifact will be featured in the 'Made in Ancient Egypt' exhibition, which opens on October 3rd and aims to shed light on the overlooked stories of ancient Egyptian artisans.

Dive Deeper:

• The discovery of the 4,000-year-old handprint was made on a 'soul house', a clay model used for offerings in tombs, at the Fitzwilliam Museum in Cambridge while preparing for an exhibition.

• Dating back to 2055–1650 BCE, the soul house was constructed using a wooden framework that was coated with clay and then fired, causing the wood to burn away.

• The handprint found underneath the soul house likely occurred when the potter moved the model while the clay was still damp, offering a unique insight into the creation process.

• Helen Strudwick, a senior Egyptologist, finds this complete handprint a rare and exciting discovery, as it provides a direct connection to the moment and person who made the artifact.

• The 'Made in Ancient Egypt' exhibition, opening on October 3rd, will feature the soul house and aims to highlight the stories of artisans, who are often overlooked in favor of more prominent figures like ancient Egyptian rulers.

• Vast amounts of pottery from the ancient Egyptian period have survived due to their extensive use in functional and decorative contexts, often appearing in burials with food and drink.

• The exhibition seeks to elevate the social status of potters and artisans by bringing attention to their craftsmanship and contributions, which have historically been undervalued due to the abundance and low cost of clay.